BPS Recap For Wednesday, October 22nd, 2025

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Open Mic Highlights

• The return of old slam team member Bobby Crawford, who found parallels to the traditional bouquet toss at weddings at a funeral when an uncle fell into an open grave

• Great first-timer poems from Megash, Dyre, Auden, and Madison

• Sue Savoy writing candidly about her sister and their last connections to family

• Just a taste of a long, a multi-part poem/essay from Kaitie D (anti-Thoreau!) and Nick Roberts (púca madness!)

• Cole’s “Storrow without the T” was another ode to/history of the man behind Storrow drive that seems to pop up on the open mic every few months

• Everyone on the open mic greatly respected the time limit, so there no one was left on the waitlist by the end of the night!

Feature

Tonight’s feature was an open poetry slam that filled up quickly! First, big shout out to first timers Courtney and Heather who skipped the open mic and went straight to competing with some heavy hitters! Second, seasoned open mic regulars/veterans Kyle Mendelsohn and Erica Garcia both made incredible Cantab slam debuts, with Kyle going impressively off book and advancing to the final round via a tie. But the night belonged to Mugs Myers and Isaiah Newman, who both outdid themselves with their best performances to date to go along with their highly polished poems. Mugs Myers goes shocking places with their poems, and while they honestly feel almost *too personal* to describe publicly on our website, they did perform their contrapuntal with Judith Butler on one side, and Michel Foucault on the other. Isaiah won the slam by one-tenth of a point, with work on art, bees, the therapist/client dynamic, religion, and the nuance of published language, and will qualify for next year’s team selection slam!

Coming Up This Wednesday

Come get spooky at our TRICK OR TREAT SLAM, where every round starts with a trick and ends with a treat! Each head-to-head round will have THREE WAYS to win extra points toward a sweet prize: wear a costume, do a poem that relates to your costume, AND complete the round’s “trick” (a challenge to incorporate into your poem)! You only need to bring one poem to compete! Email/DM us or line up early if you would like to sign up! NOTE: this slam does NOT qualify poets for team selection, it is for a silly goofy time!

See you later!

– MFG 🚪

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BPS Recap For Wednesday, October 15th, 2025

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We had a great time at the Middlesex Lounge this week hosting our open mic and video feature! This Wednesday we are back in the Cantab Lounge basement.

Open Mic Highlights

• Ty covering Harry Baker’s extremely alliterative poem “Paper People”

• Edie’s response poem to yours truly telling them that their poems make me wants to climb a stack of chairs and yell, which also included the line “An open mic might be my eulogy”

• Donovan’s friendship poem that namedropped several open mic and slam regulars

• Scott reprising their worms poem that they did the last time we had an open mic not at the Cantab

• Jen’s “When the Body Forms” (“Am I worth resurrecting?”) and Kaitie D writing a poem after the horror film “The Lodge” (“I watched it so you don’t have to”)

• AC reflecting on their Native American heritage, and Nick Roberts writing about the Irish myth of the shapeshifting Púca

• Staff Member and Slam team member Aparna Paul read from her new book, Home Free, as they depart for their book tour (which will end with a Cantab feature next month!)

Feature

We took advantage of the video setup at the Middlesex Lounge to officially launch our YouTube page. We currently have 5 videos up, but also have created many playlists featuring poets from our 30+ year history! With popcorn provided to the audience, we got to watch classics performances from Patricia Smith, Simone Beaubien, Brian S. Ellis, Manivr Singh, Bobby Crawford, Meg Ford, Neiel Israel, Zeke Russell, and many more. A great ending to a cozy night.

Coming Up This Wednesday

It’s slamming season again! Tonight we are back at the Cantab lounge for our normal open mic, and an open poetry slam! You will need 3 original poems, with the top 2 qualifying for the 2026 BPS team selection slam. The slam winner also gets $75 (“That’s 1 and half errand” – Myles) so be sure to join us for another great night!

See you soon!

– MFG 🚪

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Cantab Recap For Wednesday, October 8th, 2025

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Please note: WE ARE NOT AT THE CANTAB LOUNGE THIS WEDNESDAY, OCTOBER 15TH! This week Boston Poetry Slam is partnering with Middlesex Lounge (315 Mass Ave in Central Square Cambridge) to launch our YOUTUBE CHANNEL and celebrate archived Boston Poetry Slam footage!

Open Mic Highlights

• Mariana opened the mic with some blackout poetry read on their phone (!) which included some pauses as they scrolled down through all the blank spaces

• Newcomer Tyrone wrote a poem waxing heavy nostalgia for the 1990s, with a lot of references you don’t hear much about these days (Zima, anyone?)

• Dedicated listener Dan Malloy returned to the mic for the first time in 2 years to give us a couple of haiku and stories to go with them. Let’s hope we don’t have to wait 2 more years for 2 more of this former haiku slam winner’s work!

• Ember wrote about the extensive editing of Wikipedia page on The Ship of Theseus, and used it as a metaphor for their self over time

• David F told us why he prefers to write in miniatures (but not why he rhymes) before taking a hard left into how he remembers his Dad through writing

• Everyone on the mic was incredibly respectful of the time that the open mic ended a half hour earlier than expected, leading yours truly to wonder if he should read a half hour of haiku to make up for it (I didn’t.)

Feature

Our third annual HAIKU TOURNAMENT was a resounding success, and always one of the most fun nights of the year. This year, we added a new wrench to the format: a Wild Card/Second Chance Roud, in which poets who would have normally been eliminated get to battle against each other for the chance to move on to the next round. In the end, all 11 poets got read at least two times, and 8 got to read at least four times!

Some of the many highlights of the night:

  • Briana did a haiku in Japanese while unscrewing the microphone stand in two and then drew one of the two pieces of the mic stand out like a sword
  • Shawn did his haiku where he keeps reading the intro for as long as possible and the crowd acted very antagonistic (in a funny way.) He didn’t stop until yours truly walked on stage and made him stop.
  • Anna Geiger, who has only read on our mic a couple times, held her own against everyone else, showing a wide range of experimental, sexy, and thoughtful haiku
  • Keaton (who was reading the haiku of Logan Lopez, who had fallen ill) read a long series of crush haiku, which ended with giving audience members tiny cans of Crush soda that said “you’re my crush” on it
  • Aparna performed a group haiku where a different audience member said each syllable of the haiku in sequence
  • Gel did *more than one* series of haiku about JD Vance f***ing a couch. One was set to the tune of “Baby Shark!” 🦈
  • Kaitie D read a series of haiku in morse code intensely, as well as a series of poems examining Stephen King’s trashy horror novels
  • Oliver performed work that was simultaneously pastoral and deeply weird, and Sarah King used comedic timing, silences, and some intentional microphone fumbling to great effect.
  • March riled up the crowd with a lot of awkward-yet-brazen haiku about sex, gender identity, and queer politics
  • Jarvis’ haiku celebrated their queer identity, with tender and raucous haiku about gay clubbing, living with their partner(s), tales of their cat, and a set of “choose your own adventure” haiku that the audience helped decide the progression of the plot

In the end, our final round was between Briana, Aparna, and Jarvis, with Jarvis taking the BIG WIN, and Briana coming in 2nd place. They both will qualify for the 2026 Boston Poetry Slam team selection! Thank you to everyone who performed.

Coming Up This Wednesday

WE ARE NOT AT THE CANTAB LOUNGE THIS WEDNESDAY, OCTOBER 15TH! This week Boston Poetry Slam is partnering with Middlesex Lounge (315 Mass Ave in Central Square Cambridge) to launch our YOUTUBE CHANNEL and celebrate archived Boston Poetry Slam footage! Come read on the open mic, then stay to eat popcorn and watch a set of videos on Middlesex Lounge’s projector screen from past and present Boston Poetry Slam team members. Then make sure to SUBSCRIBE, because our channel will start posting regular footage from our programming! (But never fear, our weekly Wednesday show will stay camera-free.) See you there!

See you soon!

– MFG 🚪

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Cantab Recap For Wednesday, October 1st, 2025

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Open Mic Highlights

• Ren’s poem examining the Chinese greeting of “Have you eaten yet?”

• “Unrequited Love is Like Organized Religion” – Mica Rich on the unreachable and promises people make to us

• “Don’t talk to me, I need time for my sublunar calculations” – Charlie R

• “I come from a land of a thousand splendid suns” – Arneaz

• “You love me through my womb shedding” – Hanan

• Keaton’s poem opening up with someone saying, “Have you been writing lately?” and so many audience members groaning in response

• Greg M WHOLESOME POEM ALERT (“the official Dad of the Cantab–the Dadtab” – Amy)

• “In America violence is an escape from violence” – Kaitie D fleetingly on video games and injuries

• Sue Savoy’s “I can’t write a poem about a vibrator” that was too embarrassing and personal to finish, but did later inspire host Briana to read her own somewhat-embarrassing vibrator poem later on the mic

• Will S writing about tarot and a lyric from Sabrina Carpenter’s “Lie To Girls”

• Amy texting me to include Rasheen’s whole poem in the recap, and while I can’t, I will say it was the best poem I have ever heard to reference an ancient GUSHERS commercial

• The LAST CHANCE HAIKU SLAM which featured long-time listener Matt M’s first time on the mic, plus several contestants swaying audiences (ironically or not) to vote for their competitors. Kaitie D won in the final round over Edie C!

Feature

Quentin Collins gave us a very craft-driven yet accessible feature that felt like an old friend sharing with you everything that is going on with their life right now. Reading from three distinct manuscripts, we got to hear detailed descriptions/deconstruction of the Chicago suburbs where he grew up, his family’s strong competitive history with bowling, detours into Afrofuturism, tales of riding on the el and causing ruckus, and an enthralling new poem entitled “Every Day I Wake Up and Get Dressed Like A Funeral,” that detailed how to be prepare for the unexpected bout of unconsciousness. All this is only scratching the surface of his great feature, so be sure to check both of Quentin’s books, or watch the replay of the livestream on our Instagram!

Coming Up This Wednesday

The feature this Wednesday is the third annual HAIKU TOURNAMENT! Myles is away and Michael F. Gill has taken the reins, bringing us a high-energy multi-tiered double elimination tournament with all of our previous haiku slam winners. At LEAST $170 is available to the winner who can navigate though a haiku suite round, a themed round involving dirty and experimental haiku, and a head-to-head-to-head final round! You won’t want to miss it!

See you soon!

– MFG 🚪

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Cantab Recap For Wednesday, September 24th, 2025

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Open Mic Highlights

• Mary’s poem about writing a commissioned song for a 7-year-old kid named Paulie that turned out to be a scam, and how the idea of Paulie lived on

• Ember’s poem re: the FBI’s claim to categorize trans people as “violent extremists”

• Kelsey’s new piece “My mother unburies her trauma” which featured the cutting line: “I am my mother’s mother before her daughter”

• Will S’s moving reflection on his Jewish root and his prayer for both peace and a free Palestine

• Jen’s striking “When Black Bodies Fall / Does Anyone Even Hear Them” and Brynna’s rebuttal to her professor: “Not all of us descended from Royalty”

• Myles just casually mentioning the documentary “Listers: A Glimpse Into Extreme Birdwatching” on the mic (where is the poem, Myles?!)

Feature

For this month’s community night, Zeke Russell hosted a series of poems and poets discussing work about and inspired by their favorite music albums. Zeke himself bookended the set with homesick poems about the Grateful Dead, Tom Petty, and Nirvana’s Nevermind, featuring the brief and excellent “Self Portrait As The Major Key Remix of Smells Like Teen Spirit”. Amy reflected on her Dad’s classic rock favorites that she grew up, and through a series of ongoing revelations ended up with the line “The day I learned to call it love / I learned to call if grief.” Keaton wrote about growing up with the band Bastille (of which they were once in the top 0.1% of spotify listeners) and also about the lyrics of Matt Mason. Kai told us how they were a tumblr teen and were inspired by Marina & The Diamonds. Navah The Buddaphliii deeped into their deep well of paisley reflections, fever dreams, and Prince poems to speak about 1999. And Myles Taylor read a series of mini poems inspired by the band The National, centered around the theme of a post-college depression. The whole show was such a unique and striking look in to how our local poets interact with music, so we may have to do it again in the future!

Coming Up This Wednesday

This week’s feature is Quintin Collins! We also will have a last chance Haiku slam to qualify for next week’s tournament, and an early bird tarot-themed workshop by New England poet/former Cantab feature Mica Rich! Workshop at 6:30, Show starts at 8, feature begins at 10!

Workshop info: Learn how reading the tarot and writing poetry intersect at the art of storytelling. In this workshop, participants will read examples of poems inspired by the tarot, learn about archetypes within the tarot, and practice doing tarot readings for inspiration. Poets will have time to write their own tarot-inspired poems and to share with the workshop group.

Feature bio: Quintin Collins (he/him) is a writer, associate director of the Solstice Low-Residency Master of Fine Arts in Creative Writing Program, and a poetry editor for Salamander. His work appears in many print and online publications, such as Sidereal Magazine, Superstition Review, Glass: A Journal of Poetry, Solstice Literary Magazine, and others. Winner of a Pushcart Prize and the 2019 Atlantis Award from the Poet’s Billow, Quintin’s publishing accolades include multiple Best of the Net Nominations, and he was a finalist for the 2020 Redivider Beacon Street Prize.

Quintin’s first full-length collection of poems, The Dandelion Speaks of Survival, which was a finalist for the 2020 Alice James Award and the 2021 Sheila Margaret Motton Book Prize, is available from Cherry Castle Publishing. His second collection of poems, Claim Tickets for Stolen People, selected by Marcus Jackson as winner of The Journal’s 2020 Charles B. Wheeler Poetry Prize and Honor Book for the Black Caucus of the American Library Association’s 2023 Best Poetry Literary Award, is available from Ohio State University Press/Mad Creek Books.

See you soon!

– MFG 🚪

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Cantab Recap For Wednesday, September 17th, 2025

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Open Mic Highlights

• Kaitie D’s “This Is My Fat Girl Poem” inspired by True Kwene

• River’s love poem that was both approved by his partner and rejected by his poetry teacher

• Shenanigans: the audience snapping their fingers in rhythm while waiting for Myles to open in the show (he was in the bathroom)

• It was a great night for first timers! Feng Yee brought us a piece set to movement that brought to mind the rhythms and inspirations of water, Adel (from Dubai) included us on his trip across poetry shows in America, Gaby told us why they started believing in the train, and Erika responded to their friends’ inquiries on why they should even write poetry

• Connor’s extended “Chicken or Beef” metaphor that confronted their family’s biphobia

Feature

Our feature was Tatiana Johnson-Boria, who graced the feature stage for the third time at the Cantab! Taken a note of inspiration to write poetry in 2025 to “drown the universe”, we heard an expertly-crafted set of poems on motherhood, Palestine, black joy, and, in what has been a common theme this year, the aftermath of elections in the U.S. (including a poem where her child wakes up screaming right after the election results were given). Other highlights include meditations on intrusive thoughts while post-partum, how to make love while the world is burning, and possibly the only poem in existence to talk about approaching placenta in the freezer a year after giving birth, and then burying it in the backyard. Tatiana also gave us some form work too–with a ghazal about a miscarriage and her own take on a erasure poem/Burning Haibun form. Thank you so much Tatiana!

Coming Up This Wednesday

This Wednesday is our monthly Community Night, where the community becomes the feature! This week, local legend Zeke Russell will be hosting a celebration of the 36th anniversary of Nirvana’s album Nevermind with a night dedicated to poems after our favorite albums. Zeke will be sharing work after/inspired by Nirvana, and then will open the mic to community members who want to share work inspired by the music that surrounds them.

See you soon!

– MFG 🚪

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Cantab Recap For Wednesday, September 10th, 2025

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Open Mic Highlights

• Ember’s “My Body Is Not A Temple—It’s A Dive Bar Bathroom”

• Jack’s “Health Scare Boyfriend” who may or may not have erroneously convinced him that he had cancer

• Roxy’s returned with an advertisement for their coffee roaster cafe that turned into a poem, and Cameron came back in persona as a Charles Bukowski-esque character

• Elaborate contrapuntal-ish work from Mugs Myers and Kelsey Kessler

• First timer Victor’s funny poem about being on a Greyhound bus while someone was having sex in the background that resonated with a lot more audience members than you would have thought

• We had our penultimate haiku slam of the year! There was fun stuff by Will S, who wrote haiku about their competitors, and great written-on-the-spot haiku by first-timer Victor. The final round was led by the sensual-and-stinging work by Briana, and the off-kilter quietude/freakiness by Oliver, both longtime regulars. Oliver took the win, and both finalists qualify for next month’s Haiku Tournament!

• Heartbreaking poems by Kai (on familial neglect) and Amy (meditating on the middle of their body)

• Myles’ dumpster-diving/Allston Christmas poem that some serious swift flow/rhythmic cadence to it as it went on

Feature

Our feature was local poet/teacher/open-mic & slam regular Otto Vock! Reading from their new chapbook as well an older “angstier” one (by their own admission), Otto Vock ran through both established performance favorites and some great new material. Highlights include persona poems in the voice of Plastic, a conversation between humankind and The Sky (told from the voice of the Sky), and a poem in which they become an architect instead of a poet. We also heard moving material about the aftermath of being positive during the 2024 election cycle, the experience of trying to get a gig / be a teaching artist in 2025, and an ode to Yukie, a rather scrappy and not-always-so-nice dog (“she was easier to love when toothless”). Thank you Otto!

Coming Up This Wednesday

This week’s feature is poet and friend-to-BPS Tatiana Johnson-Boria!

Tatiana Johnson-Boria (she/her) is the author of Nocturne in Joy (2023), winner of the 2024 Julia Ward Howe Book Prize in Poetry. As an educator, artist, facilitator, and mother; she uses her writing practice to dismantle racism, reckon with trauma, cultivate healing, and to explore the complex magic of mothering. She has received fellowships and awards from Tin House, the Massachusetts Cultural Council, MacDowell, the Brother Thomas Fellowship, and St. Botolph Club Foundation, among others. Tatiana is a 2017 Pushcart Prize nominee, and teaches at GrubStreet and Framingham State University, among other institutions. Find her work in The Academy of American Poets, Ploughshares, Kenyon Review, and more.

See you around!

– MFG 🚪

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Cantab Recap For Wednesday, September 3rd, 2025

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Open Mic Highlights

• It was another great night for first-timers! We heard great subtly rhyming work from Isaac and Kay brought us the words of other poets who are consistently speak to her

• Helena’s striking poem about trying to learn how to draw and sketching their partner the way they see them during unseen moments

• TJ Jones’ first memorized poem, which was “experimental…because Myles is not here tonight!”

• Jan’s poem about the “pain and sleep aisle” you find in stores/pharmacies

• Edie’s “I Wrote My Pain a Letter Again” and Will S revisiting the experience that is the combination Pizza Hut/Taco Bell

• Keaton’s poem titled “A Vampire named ‘Daddy Issues'”

Feature

We had a full open poetry slam this week! It was a throwdown of many established poets, with scores very tight throughout. Shawn opened up with his meta “This is the first poem of the poetry slam” piece, and we also heard good work from first-time slammer Ember on queerness and familial acceptance. The dreaded time-penalty reared its head for Isaiah and Otto, preventing them from moving on, as second round ties pushed us into a three-person final round. Kaitie D and Kelsey brought highly polished, explosive work, which was in contrast to Roxy Luis Martinez-Dobbs, who did 3 ramshackle manifestos all under 2 minutes that were fuming on attitude, style, and the complications of gender identity and relation/situationships. In the end Kaitie took the win, with Roxy coming in second! Both will qualify for the 2026 Boston Poetry Slam Team Selection slam next year!

Coming Up This Wednesday

This week we have a surprise treat: a feature from regular open mic and slam favorite Otto Vock!

Bio: Otto Vock is a Jewish, non-binary poet and educator from Jersey City, NJ, now based in Somerville, MA, whose work explores the role of play and rebellion in all the nooks of life. Their work has appeared in The Offing, Pigeon Pages NYC, and the Quinobequin Review and their manuscript in progress, They Did Not Comply, recently received an honorable mention from Game Over Book’s 2025 open reading period. Additionally, they are the primary author of the companion curriculum for Phil Kaye’s book of poems, Date & Time, published in partnership with Button Poetry and Project VOICE. Recently, Otto began holding it down at Mass Poetry as their Teen Spoken Word Programming Coordinator and has previously taught at Urban Word NYC, 826 Boston, Grubstreet, and across several Boston Public Library branches providing free and open to the public poetry and personal essay workshops with the BPL’s Community History Department. They are pursuing a Master’s in Educational Studies at Tufts University and engage in trickery within the world of academia whenever possible (always).

See you soon!

– MFG 🚪

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Cantab Recap For Wednesday, August 27th, 2025

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Open Mic Highlights

• For our second community night, we had bilingual spotlight features from Mariana (Portuguese), Kaitie D (Spanish), and John Lee (Taiwanese). Each performed beautifully, with a special shout out to John for reading and translating a poem from 700 A.D.!

• Joshua forgot the poem they were prepared to read on the way to Cantab, and ended up bravely improvising a poem about numbers and his father

• Edie’s late-night poem walking through Somerville with the line “At night the streets become a ghost town / and I also become a ghost”

• Lily K’s farewell poem (part 2) riffing off Elizabeth Bishop’s “One Art” – we’ll miss you Lily!

• First timer Helena’s devastating breakup poem that left the audience (ok, maybe just me!) gasping at the end

• Bob S’ poems on hitchhiking 50 years ago and a memorable family dinner from 60 (!) years ago

• First timer Frannie’s stunning 2 poems – a list of what should/shouldn’t be sent to her on her death bed, and a disarming poem-prayer for a past abuser

Feature

We had a mini-feature from touring poet K.E.R.M. this week! K.E.R.M gave a very energetic and fast-paced set–so fast-paced at times the audience wondered where he even took the time to breathe–that wrapped up rhyming, comedy, Spiderman, litanies, and the black experience into an overflowing melting pot of a meal. Other highlights include a poem about your alternate “perfect” self that is not so perfect in the end, and a renunciation of billionaires told through the lens of hating on Batman (despite the poet themselves having a Batman tattoo!) Thanks K.E.R.M.!

Coming Up This Wednesday

We’ve had a change of plans! Daniel Garwood’s planned featured will be rescheduled, so instead there will be an OPEN POETRY SLAM! Come bring 3 poems that are 3 minutes or less and you can win $75 plus a chance to qualify for the 2026 Boston Poetry Slam Team!

See you soon!

– MFG 🚪

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Cantab Recap For Wednesday, August 20th, 2025

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Open Mic Highlights

If you were at the show last week, you may have heard my slot on the open mic, where I read haiku about each poem that was read before me that night! Here they are for the sake of posterity.

Adam M

what to do with this
poetry journal i just found:
write a haiku

Lou C

i’m going to spit a little
watch out
it’s intensely joyful

Alex Kist

welcoming a tear
for each question i have about love
welcome home

[s.m.] DECKER

roger’s got no head
it’s an interlocking rollercoaster
instead

Speros P

we never wanted
indigo apples
indigo apples stone still

Tyler B

nine times eight times
seven times six times five times
four times three times two one

Edie

happy spelled with backwards p’s
stained
with the comfort of generations

Lauren

what if you were dead
let me tell you a cold hard fact:
you were hit by a bus

Bailey

queer
queer
queer
queer meat suit with the check engine light flashing queer
queer
queer
queer

Mariana

last stop
called at every station—
plausible deniability

Cheyanne

durability of concrete
white cement mold
what is a birthplace?

Kaitie D

gluten-free jesus will not save me so i don’t say anything about how long a haiku should be just do you want to die or kill the part of you that’s hurting? anyway my dad says some weird stuff

Donovan Beck

the light in the oldest lighthouse is still on
who is keeping it?
who

Isaiah

tomato / basil
coconut / lime
the fruit the follows grows the soil

Will S

normal’s hard to resist
surveillance capitalism
is normal

Otto Vock

poetry closes doors
i became an architect
to replace the doors

Mary S

can you believe in me
long enough
for me to finish this haiku

Aruna

holding hands with the divine
i told him nothing right
empty soul alight

Sue Savoy

to the long list of things
i can’t do anymore
you can add parties

Nick Roberts

here comes
cameras-out confidence men with
mosquito bites between both breasts

March Penn

there is a you inside a you
that is all body
falling towards truth

Brynna B

the kind of laugh
where you forgot to breathe:
too loud too proud too much joy

Briana Crockett

does a survivor’s haiku
sound like anger, broken glass,
or reciprocity?

Aparna

i think they only have
the unasked question in my heart
on the menu

Kai W

epiphanies lost in the “watch later” tab
migrate to me
in sleep

Amy Argentar

in two hundred feet
i want to keep on moving
while staying at home

Feature

We had a short (!) and beautiful feature from Jess Yuan this week. Jess gave us some unique persona poems voicing the dreams of a “project manager”, a poem about her long-distance relationship that was written while actually-travelling-the-long-distance on train, a four-part poem relating to the four stomachs of a cow (wild writing prompt alert!) and finished with a vulnerable poem involving secret languages and a refrain admitting “It’s true I don’t know anything about love / So you must not believe my poems”. The audience disagreed with the point, as they were keenly listening and enthusiastic throughout! Thanks Jess!

Coming Up This Wednesday

BPS presents a double feature: The touring poet KERM, and our 2nd community Night, showcasing poems in multiple languages! THERE ARE STILL SPOTS AVAILABLE FOR THE MULTILINGUAL MIC! SIGN UP AT tinyurl.com/MLNIGHT27 if you are interested!

Bio: KERM is a real presence in front of a mic. While he’s relatively new to sharing his words with the world, it’s hard to imagine him doing anything else. He currently resides in LA, but was raised in Nashville, Tennessee; Quincy, Massachusetts; and Attleboro, Massachusetts. His poetry is rooted in reflective storytelling, placing his audiences right beside him, as he time travels through memories oozing nostalgia, processed by a mind molded by comic books and hip-hop. He loves to write about the Black American experience. He loves to write personification poems. He’s finished writing his first poetry book and is currently in the process of getting it published.

See you soon!

– MFG 🚪

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